In “Questions 27 & 28,” Karen Tei Yamashita opens an inquiry into how the story of the past gets made.
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Kimberlé Crenshaw gave us the terms “intersectionality” and “critical race theory.” Her new memoir shows that she isn’t done fighting over what they mean.
His poetry reckoned with the immensities of reality, time, and grief, confronting a world upended by new truths about the earth and the heavens.
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The German poet’s dauntingly eclectic accomplishments were founded on a tireless interrogation of how a life should be lived.
The Divine Comedy, the poet’s tour of the Christian afterlife, is filled with strikingly modern touches—and a poetic energy rooted in the imperfectly human.