A retrospective at MOMA puts forth a persuasive case for an artist who saw making her work and living with others as inextricably entwined.
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How the shape-shifting artist radicalized art itself.
It is easy to treat the Dutch artist as an agreeable intimist—a transcriber of domestic niceties. But he grew up in a world of war, starvation, and massacres. His paintings were safe havens.