“Don’t Let Nobody Ever Call You That.” Elizabeth Stordeur Pryor on Finding Confidence in Her Blackness

By Elizabeth Stordeur PryorJune 17, 2026

“Richard, she can’t stop looking at you,” my mom said, with a big silly grin. After only three months, my father was back in my life. And it was all because of the n-word. “Can’t stop looking at her either,”

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Literature & Essays

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Edward Said, My Grandfather, and the Problem of Home

“Said's ‘Reflections on Exile’ summoned to mind the only 7 words my grandfather ever said to me about Ireland, where he had cousins he never knew: ‘I don’t think I’ll go back there.’” The post Edward Said, My Grandfather, and the Problem of Home appeared first on Public Books.

Morgan BarryJun 16, 2026

Literary Hub

On the Ethical Problems of Clinging to My Sighted Life

The letter that my eye doctor had sent to the state’s agency included diagnosis and prognosis, and it described my functional limitations: some trouble reading print and computer text, more trouble finding landmarks when walking and identifying obstacles in my

Deni ElliottJun 17, 2026

Literary Hub

Undiscovered Country: The 100th Anniversary of Virgina Woolf’s “On Being Ill”

I was lying in my attic bedroom reading a book, when my husband came up to speak with me. I wriggled over to make room for him and heard a muffled sound like a wet branch snapping. As I stood

Darcey SteinkeJun 15, 2026

The Paris Review

Making of a Poem: Hannah Piette on “Nijinsky Dancing”

“Nijinsky’s face layered in makeup became an apt figure for the poem I wanted to write—one in which a ‘civilian face’ could be recognized only through its effacement.”

Hannah PietteJun 17, 2026

The Paris Review

Announcing Our Summer Issue

Featuring interviews with Harryette Mullen and Yan Lianke, prose by Lucy Ellmann and Chigozie Obioma, poetry by Frederick Seidel, and a cover by Alex Da Corte.

Emily StokesJun 16, 2026

The Public Domain Review

Louis Pope Gratacap, A Curator in Lost Worlds

Arguably the first work of fiction to feature a *Tyrannosaurus rex*, Louis Pope Gratacap’s *The New Northland* (1915) is at once kaleidoscopic, mischievous, fascinating — and exhausting. Richard Fallon explores this “lost world” novel, finding a work as interested in cutting-edge science as it was in paying dues to its generic precursors.

Jun 17, 2026